In developing my work, I have been drawn to a traditional style that has its roots in the aesthetics of Japanese and Korean pottery.  My firing process uses a traditional wood kiln.  I find that by beginning with traditional forms and firing techniques, I have created a jumping off place that gives me freedom to develop my own artistic voice. While continuing my work in Japanese forms, I have recently added a new soft forms dimension to my vocabulary.

My functional work includes soft bowls, plates and vases as well as sake sets, tea bowls and tea cups.  The work encompasses three themes: plain forms that embrace simplicity and grace;  rough textured forms that create a feeling of coming directly from the earth and a flowing style that is evocative of mountain ridges.